State of Love & Trust, a novel by Grace Ombry
I’m serializing the first 10% of State of Love & Trust here on my blog. It’s a story about Pearl Jam fans in Detroit’s oldest neighborhood, Corktown.
This is the first installment.
Ellie – Detroit, Mich. – Tuesday, May 20, 2006
I pulled the Yield bus into a rest stop somewhere between Grand Rapids and Detroit. Seeing Pearl Jam three times in four days was the kind of thing I lived for, but at two in the morning after the third show, I was cracked.
“C’mon you guys. Break time, then someone else has to take a turn driving this beast.” I tossed a pillow at the futon where my boyfriend Reece was kicking back, smearing marshmallow fluff onto an Oreo.Continue Reading “On the Bus” Getting in Tune – State of Love & Trust
Tuesday Evening, 73°F and clear
Listening to The Beatles—Dear Prudence
Clive indulged his sister by painting The Sacred Heart of Pearl Jam on the back of her bus.
This is for every Pearl Jam fan who doesn’t think Stone Gossard gets anywhere near as much credit as he deserves. Ellie, Clive, and Saint all understand who the sacred heart of Pearl Jam really is. Oh my god, Stone, hell yes.
Read about these hardcore Pearl Jam fans in my tragicomic novel, State of Love & Trust.
In My Pearl Jam Universe
Thursday night, 70°F
Listening to The Rolling Stones, Let It Loose
Or how I got copyright permission on lyrics from Pearl Jam
How many times have you been told that you can’t put lyrics in your novel? That it’s impossible (or at least prohibitively expensive) to obtain copyright permission on lyrics? If it’s important to your novel, then it’s worth the effort to try. I did, and it wasn’t nearly as difficult as people claim. I’m so glad I didn’t let their negativity discourage me.
First things first: you absolutely must get copyright permission on lyrics before you publish them in your manuscript. Not only is it the right thing to do, it’s the law.
On August 17, 2016, I made a post explaining why the words of Saint Wozniak’s Whipping tattoo were left out of my novel, State of Love & Trust. In short, his tattoo is the first stanza of the Pearl Jam song, Whipping, and therefore protected by copyright. At the time I wrote that post, I was well into the process of attempting to obtain permission from music publisher Hal Leonard. Based on everything I’d read while researching copyright issues, I fully expected it to be too expensive. But I had to at least ask. Those lyrics fit Saint’s reckless, hard headed character too perfectly for me to not at least try to get them included.Continue Reading A Banner Day
Tuesday evening, 75°F and mostly sunny
Listening to Pearl Jam Unplugged, Rockin’ in the Free World
Pearl Jam Religion
Ellie Rafferty’s story in State of Love & Trust was predicated in part on the question, What would happen if a character took Pearl Jam as seriously as a religion? I thought a Pearl Jam religion was a fun concept. What does it look like? What are the tenants? How would a worshipper of Pearl Jam practice her faith?
A Pearl Jam religion is even something Eddie Vedder once joked about.Continue Reading Ellie’s Pearl Jam Religion
Some thoughts on using copyrighted lyrics
[UPDATE: When I wrote this post on using copyrighted lyrics, I was doubtful that I’d be able to obtain the proper permissions. Happily, Pearl Jam and music publisher Hal Leonard came through, granting me permission to include these lyrics in my novel. Lesson: If you want something, it’s worth asking for.]
In the first chapter of my novel State of Love & Trust, the character Saint Wozniak peels up his Mother Love Bone tank shirt to reveal the entire first stanza of Whipping inked in a neat typewriter font on his shoulder blade. Those lyrics, which he says are his favorite, matter to the novel. Yet they are not included anywhere in the text, and for good reason.Continue Reading Saint’s Whipping Tattoo