Wednesday evening, 63° and clear Listening to My Morning Jacket, Grab a Body
This morning my daughter Charlotte, who is away studying agriculture at Michigan State University, texted some images to me. She’s currently reading State of Love & Trustand was inspired to draw this story’s characters. This got me thinking about the keys I use when describing fictional characters.
A little backstory: I have always written, and Charlotte has always drawn. I still have the first person she ever drew, which looked like a smiling potato with stick arms and legs. That was pretty impressive detail for a two-year-old.
Throughout much her childhood I’ve been working on one novel or another, and the roots of State of Love & Trust go back to when she was still in elementary school. She always asked if she could read my story, and I always said yes … when you’re 18. But as it happened, I put that manuscript away for a lot of years and began polishing it for publication shortly after she’d left for college. Continue reading
This book was so horribly written, I had to stop after the first 20 pages. She may think she’s Vonnegut, but a child could write better than her. It’s unfortunate that any publishing company would take her seriously and waste our time.
Smokin’ and Cryin’ kept me on my toes like a 70s rock band. Every memory, news article, album review and snippet had me wondering what was next. I devoured this novel almost immediately upon opening it up. The twists and turns in this were excellent, and I found myself desperately missing an era I hadn’t even been a part of.
Ombry conjures (and occasionally skewers) characters with stunning efficiency. Better than just about any writer I’ve read, she knows how to shine a light on most important truth about them, how to bring whole, complex humans to life using short strings of words. She also writes young children better than anyone I’ve ever read. The relationship between the young rock god and his baby half-sister makes me tear up again just thinking about it.
This is a brilliantly crafted book set in the early ’70s about a band and its 16-year-old front-man, Robin Chelsea, and (not a spoiler) his disappearance right before the release of their third album. The story unfolds with detail that is wonderfully imagined (such that I often forgot it is totally fiction) but never bogging down the pace.
Ms. Ombry does a terrific job of developing the characters and unfolding the twists and turns of their funny/tragic lives. I found the book intriguing and hard to put down! Probably because at its heart the book is about resilience, love, and our common humanity more than rock music.
This book is about Robin Chelsea, a fairly normal teenager who ends up becoming the lead singer of American rock band Smoky Topaz in the 1970s. The language and writing style are also very simple and smooth, which make this book feel young, laidback and fresh.
On Facebook, Ms. Ombry revealed she had gotten her first bad review & she shared it. It was sooooo bad, I wanted to understand why. OMG what a gift for Ms. Ombry! She is an amazing author! I was hooked from page one. Obviously the last laugh is with this very talented author!
Grace has a knack for portraying the music genre and the 70s in a truly engaging manner. I loved everything about this book. She makes the music come alive through the characters and the story. The music is almost another character in the story, and it shines. The characters and their conflicts and quirks make… Read more “Truly Engaging”
Grace takes sensitive and painful topics and intertwines them with humor. She skillfully develops her characters, and the reader comes to accept (and maybe even like) all of them (even the ones that have terrible flaws.)
There’s something a bit familiar about The Odette Brothers. I had fun recognizing some of the real-life elements she modified and incorporated into this novel. I hope you enjoy reading this as much as I did!